I Killed the Zeitgeist– Nicky Wire
Strong, confident, beautiful, romantic…words that will never be used to describe the quality of Nicky Wire’s singing voice. Except, maybe the last one.
Wire’s voice, for all it lacks, does possess an undeniable innocence, charm, and yes, romanticism. Underneath of what sounds like a bizarre collage of inarticulate droning, is really something quite beautiful. Nicky Wire has given us a bit of himself; naked, unpolished, vulnerable. He trusts us to find beauty among the wreckage. We need to stop listening to the quality of Wire’s voice and listen to what he is saying. I have listened to Zeitgeist continuously over the last few days, and admit I have become a bit obsessed with it.
In the opening track, “I Killed the Zeitgeist” the line “Pain like the shattering of glass”, is one you would expect to hear erupting from James Dean Bradfield on a Manic Street Preachers album. However, sung in Wire’s flat, nondescript tone makes it feel more sincere, a little more…painful.
“Break my Heart Slowly” opens with a magnificent quote from Eleanor Coppola. The title alone is one of the most romantic I have heard. Especially when Wire has them spoken by Dora Maar. Maar was a poet, artist and photographer. However, she is best known for her volatile relationship with the artist Picasso. She was a fascinating dark beauty, who became Picassos muse; it isn’t surprising she also became Wire’s. It is the only single released from the album.
Later tracks like “The Shining Path” and “Bobby Untitled” are where Wire showcases his real lyrical aptitude. The Shining Path is a Peruvian guerilla group whose ideology, (funded by cocaine) is based on Maoism. The group uses violence and terrorism against the “bourgeois democracy” in order to create a communist state. In the song Wire, a student of politics, sings about his own revolution “creeping up and making plans” as “governments crash” and “hope dead like Jesus on the cross.” Wire’s Shining Path is obviously more personal and less violent, but the song suggests that we all eventually have to deal with conflicts outside of our control. Our own revolutions.
“Bobby Untitled” opens with the closing stanza of Robert Frost’s Stopping by Woods on a Snowy Evening. Bobby Sands was a member of the IRA who died in prison during a hunger strike at the age of 27. Richey Edwards,Wire’s closet friend and bandmate, was confined in his own prison of mental illness. Edwards suffered from amongst other things, self-mutilation and anorexia. He disappeared in 1995, he was also 27. Wire’s confession “bits of me don’t exist anymore, I can’t replace what’s been and gone” are undoubtedly in reference to Richey. It is a touching tribute.
For me, the one track that stands alone as being the most romantic is the haunting “Everything Fades.” This is the darkest track on the album and that’s probably why I’m so attracted to it. Wire lyrics “Tied to a place we don’t belong” and “Frozen not dead, but grey and decayed” portray a sense of deep loss, not only of those close to him, but loss of the self.
Having nothing to lose, Wire described the process as “effortless” and himself as having “no expectations.”
Loss, confrontation and reflection. These are things we all relate to as we struggle to manage our way. This is Nicky Wire doing his own thing. It is brave and soul bearing, earnest and at times uncomfortable. This is his revelation, his purging. It is spectacular and beautiful.
This is NOT a Manic Street Preachers album. It is NOT an attempt to compete with James Dean Bradfield’s solo release, (Bradfield does lend his talents to two of the tracks), this is all Nicky Wire. Love him or hate him, he doesn’t give a fuck. That, is the romanticism.